Bangkok Kunsthalle, Bangkok (2026)
Designed a site-responsive 12.1-channel spatial sound system for HeeSue Kwon's Only the Screen Sees the Screen at Bangkok Kunsthalle, extending the work into an immersive acoustic environment shaped by the architecture of the site.
Thailand Biennale, Phuket (2025)
Designed and mixed an 8.2-channel spatial sound system for Wu Tsang's Carmen in the Mountain at Thailand Biennale. The system translated the cinematic soundtrack into a site-responsive acoustic environment, adapting the work to the architectural and spatial conditions of the exhibition while preserving its dynamic relationship between image, voice, and space.