Thailand Art Biennale, Phuket

Foreign Bodies engages the suppressed historical strata of Phuket through immersive spatial sound. An 11.2 vertical speaker alignment distributes low-frequency vibration across the height of the exhibition space, allowing resonance to travel physically through the audience.

The sound composition operates as a distributed acoustic field rather than a localised system. Vertical diffusion and sub-bass pressure destabilise spatial orientation, producing a condition in which vibration is sensed before it is fully located. Rather than illustrating history, the work constructs an environment where temporal density and architectural resonance intersect.

Bangkok Art Biennale

Developed for an 8.1 surround system, the work extends the cinematic frame through spatial sound. Layered tonal structures circulate beyond the projected image, introducing acoustic movement that exceeds visual boundaries.

Sound operates as a spatial guide rather than accompaniment. Through subtle shifts in proximity and diffusion, the installation transforms the viewing environment into a resonant field where memory and presence are shaped through sonic positioning rather than narrative emphasis.

Silpakorn University

This project employs a 2.1 configuration in which speakers are directed toward architectural surfaces rather than the audience. By using wall reflection as primary diffusion, the source of the sound becomes obscured.

This indirect projection generates natural reverberation and acoustic ambiguity. The composition integrates with the spatial characteristics of the site, allowing resonance and decay to shape perception. Sound functions as environmental extension rather than focal event.

Busan International Film Festival / Berlinale Forum

For this documentary feature, the sound composition introduces sustained tonal density and low-frequency undercurrents that expand the psychological space of the image.

Rather than dramatic scoring, the music operates as an atmospheric extension of the visual frame. Through restrained harmonic development and controlled resonance, the soundtrack maintains structural tension without overt thematic resolution.